UNDER CONSTANT CONSTRUCTION — Astro migration in progress (#0026)

Rather than AI making things, I can ask to go through all the steps together. Like an exploded vision of the animation. Asking why and the AI correcting me. Maybe with a tool like Rive / Origami.


Cover art for High (Remastered 2022) by The Cure
High (Remastered 2022)The Cure1984

Cover art for Tal Como Sucedió by Siloé
Tal Como SucedióSiloé2018

Cover art for In Chains by The War on Drugs
In ChainsThe War on Drugs2017


I'm building an iPad app that lets you annotate EPUBs using the Apple Pencil. Something common on E-Ink devices like the reMarkable but non-existent on iPadOS!

And the new Bitrig 3D Sims come in handy, as I get to test how the different themes work with different light sources.


Interviewer: How do you feel about using the tape recorder?

The problem is that the moment you know the interview is being taped, your attitude changes. In my case I immediately take a defensive attitude. As a journalist, I feel that we still haven’t learned how to use a tape recorder to do an interview. The best way, I feel, is to have a long conversation without the journalist taking any notes. Then afterward he should reminisce about the conversation and write it down as an impression of what he felt, not necessarily using the exact words expressed. Another useful method is to take notes and then interpret them with a certain loyalty to the person interviewed. What ticks you off about the tape recording everything is that it is not loyal to the person who is being interviewed, because it even records and remembers when you make an ass of yourself. That’s why when there is a tape recorder, I am conscious that I’m being interviewed; when there isn’t a tape recorder, I talk in an unconscious and completely natural way.

Gabriel García Márquez1981 · theparisreview.org

An essay from USURPATOR on the subtextual cues we use online — message reacts, capitalization, response time, the Millennial Pause. The magazine is gone and the domain no longer resolves, so this is the Wayback Machine’s copy, kept here as a PDF.